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Combined Academic Publishers - Stanley Corkin

Using an analytics of hybridity, Frello explores the different forms of blending in the film, both legitimate and illegitimate, and in order to consider both the ways in which essentialised categories are destabilised and displaced as well as the ways in which blending determines the distribution of agency in the film. Frello warns, however, that transgressing the racial divide does not carry any specific meaning in itself, and any particular hybrid position being read as powerful, critical or vulnerable depends entirely upon its meaning in a given context.

Corkin, Stanley. Philadelphia: Temple University Press, Frayling, Christopher. London: I.

Tauris, Gemunden, Gerd. Collin G. Lutz, Hartmut. Revenge of Trinity , or La Collera del Vento , a Spanish-Italian collaboration, focuses exclusively on farm workers rights in rural Andalusia, transporting stereotypical western figures to the story of a workers uprising.

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Using translation as a critical lens, this article argues that it is possible to rethink the western as a transnational genre, where even films tied to a particular national context become products of the circulation and translation of generic elements. Ramesh Sippy, , one of most commercially successful and ceaselessly popular Indian films, in order to comprehend the function of the popular within the political. Narendra Bedi, , have seemingly inspired the making of Sholay.

Therefore, this paper first refers to the historical significance of the film both within the realm of popular cultures, as well as within the chronicles of the political everyday. Secondly, it considers the visual style and the soundtrack, in order to make meaning of the multiple influences, as well as study the restructuring of a dominant Hollywood genre within Indian contexts. By presenting an overview of the Western influences this paper argues for the social import of the cult of Sholay.

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In fact, its multiple excesses produce a framework by means of which one may consider the continuities and the breaks as well as the tussle over modernity within post-colonial contexts. Grayson Cooke Whither the Australian Western? Despite historical and geographical similarities to the USA, Australia has no cinematic tradition of the Western.

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And what does it mean to propose a live Western, built from archival materials? John A. Kneubuhl, a writer of Samoan and German-American descent wrote stories and scripts for almost forty American television series in the fifties and sixties. Nevertheless, his mid-century television work, particularly for The Wild Wild West and one of its chief villains, the diminutive dastardly Miguelito Loveless, expresses deep ambivalence about the transcendent masculinity of the cowboy and the colonial consolidation that westerns symbolized more generally.

In this case an ambivalent Polynesian voice writes back to Hollywood not from the experimental or independent margins but from inside the industry using the most significant genre of the century. Why was it possible for him to kill Mad Jim? How can a series feature duels and executions but almost no deaths? I suggest that the answers are to be found in the history and the myth of Lucky Luke.

In this essay I therefore propose to explain why killing a man would kill Lucky Luke, by considering the historical context of the creation of this comic series, its inner workings and its myth. I discuss the ways in which this trope is used to complicate some of the conventions through which Westerns represent violence as meaningful and justified. However, I argue that the complications and uncertainties around violence that are expressed through the trope of the night-time town can still be accommodated within the diverse makeup of the Western genre.

Character actions appear directly linked to non-human elements and to the landscape itself.

Conquering the West | THE AMERICAN YAWP

At the level of transcendent meaning, these linkages produce a mythic event concerning the struggle with nature in a quest to establish a new community of free yeomen farmers, prefigured through the actions of the hero in his quest for redemption from a fallen past. On the other hand the issue of female circulation in the Western, the capacity of women to move between differing and even opposing sides in a Western conflict. We explore the relationship between female acquiescence and circulation in three early Anthony Mann westerns.

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Westward Expansion

Emerging from World War Two with superpower status, the United States entered a period of economic prosperity, but the stresses and contradictions of the Cold War cast a shadow over American life. Not coincidentally the same period marked the heyday of the western film. Cowboys as Cold Warriors examines many of the significant westerns released between and , showi Emerging from World War Two with superpower status, the United States entered a period of economic prosperity, but the stresses and contradictions of the Cold War cast a shadow over American life.

Cowboys as Cold Warriors examines many of the significant westerns released between and , showing how they responded to and influenced the cultural climate of the United States. Discussing a dozen films in detail and connecting them to numerous others, author Stanley Corkin considers the ways in which these cultural productions both embellished the myth of the American frontier and commented on the developments of the era in which they were made. Get A Copy. Paperback , pages.

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More Details Original Title. History Culture and the Moving Image. Culture and the Moving Image. Other Editions 2. Friend Reviews. To see what your friends thought of this book, please sign up. To ask other readers questions about Cowboys As Cold Warriors , please sign up. Be the first to ask a question about Cowboys As Cold Warriors.